Kölsch Album ‘1989’ out September 22+Tour

For Danish native and much-revered producer/performer Rune Reilly KÖLSCH, Kompakt has proven the perfect home curating his music: with two critically acclaimed albums and a now classic run of solo instalments in our Speicher 12” series, he took his techno craftsmanship to new levels, setting it on a melodic, emotive and even autobiographical course – without loosing any of its punch and quirkiness. With new full-length 1989, Kölsch presents the final chapter of an elegant, anthemic album trilogy that started with an exploration of early childhood memories and influences on “1977” – the year of his birth – and continued on “1983”, a vibrant and picturesque journey sound tracking the year he travelled through Europe aged six.

With 1989, we have arrived in my early teens”, Kölsch explains, “a difficult time in my life, where I mostly just remember the greyness of it all – grey feelings, grey weather and my own grey face.” Coinciding with the already challenging need to squeeze past the bottleneck of puberty, it was a time of seething family crisis – his parents were divorcing: “I would escape that grey world on my skateboard, listen to my Walkman as I explored the city around me. Music became my savior – the only way to overcome my family’s hard times. I found a soundtrack to my grey life, and suddenly there was color.” It’s why you’ll find several tracks on the album being named “grey” in different languages, and they all share this distinctly “Kölsch-esque” moment of epic melodies breaking through propulsive techno beats like the sun through stormy clouds – a musical twist that’s particularly impressive on album hit single PUSH, first heard on “Speicher 97”.

1989 marks also Kölsch’s intensified deployment of real-life orchestral sounds and the conitunation of his extremely fruitful collab with Gregor Schwellenbach: after contributing to predecessor album “1983”, the Kompakt affiliate, composer and multi- instrumentalist now conducts the Heritage Orchestra for tracks KHAIRO, LIATH (featuring a violin solo by Kate Robinson) and SERJI, the latter of which Schwellenbach co-wrote and co-produced. The 24-person Heritage Orchstra consists of violins, violas, cellos and double basses, adding the sweeping drama and organic, richly layered textures that only real strings can produce – a deeply humane tone that is set with the album’s opening recording of the orchestra tuning its instruments (which incidentally also incorporates a voice recording from 1989 of Rune Reilly’s grandfather Ludwig). Seeing Kölsch’s propensity for vocalist cameos on his albums (Trœls Abrahamsen on “1977”, Tomas Høffding and Waa Industry on “1983”), one shouldn’t be surprised to find beautiful cut IN BOTTLES, which features vocals written and performed by Aurora Aksnes.

Tracklisting CD, Vinyl, Digital:
01. A1. 1989
02. A2. Serij feat. Gregor Schwellenbach
03. A3. Grå
04. A4. In Bottles feat. Aurora
05. B1. Grey
06. B2. Grau
07. B3. PUSH (Album Version)
08. C1. Gris
09. C2. 14
10. C3. Khairo
11. D1. YKPI
12. D2. Liath
13. D3. Goodbye

Limited Edition 10″:
A1. Serij feat. Gregor Schwellenbach (Balearic Mix)
B1. Serij feat. Gregor Schwellenbach (Strings)

Preorder now

Oct 27 Miami, USA – Heart
Oct 28 Montreal, Canada – La Bacchanale
Oct 31 San Francisco, USA – Audio
Nov 3 Cordoba, Argentina – BNP Club
Nov 4 Valinhos, S.P, Brasil Laroc – Sunset Club
Nov 5 Buenos Aires, Argentina – Oasis
Nov 9 London, UK – Fabric (Live Show)
Nov 10 Paris, France – Faust
Nov 11 Berlin, Germany – Panoramabar
Nov 16 Dublin, Ireland – District 8
Nov 17 Cologne, Germany – Gewölbe
Nov 18 Hasselt, Belgium – Labyrinth
Nov 24 Milan, Italy – Volt
Nov 26 Glasgow, UK – Sub Club
Dec 8 Melbourne, Australia – Forum Theatre (Live show)
Dec 9 Sydney, Australia – Greenwood (Live show)
Dec 15 New York, USA – TBA
Dec 16 Los Angeles, USA – Sound



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